TARIAN, the eyewear editor opens the doors to you, with its wave of colors, materials, and shapes, all joyfully orchestrated in a mischievous spirit.

Since 2011, Jeremy Miklitarian has been cultivating his know-how and his search for details by developing his collections in the form of micro-editions. Inspired by his travels, it is in Paris a few streets from Place des Vosges that the artist puts down his luggage. There he draws, assembles, and com- poses elegant and uninhibited glasses. Simply refined, he edits his language in the light of a sunset. The sweet gold of grapes delicately tinkle on each of his creations like a tightrope walker. They are called Dolce, Horizon, Montmartre, Palazzo or even Méli-Mélo. The curves finely mix metal with acetate, erasing the technique to better reveal the gesture.

The materials, such as ceramics - land of freedom for the artist – take us by the hand and invite us to travel. Sculpt and fire the ceramic, and then work the color in a mixture of acetates. He exploits his palates and offers us the result of his research. If the man has fun, it is with meticulous and technical patience that he works his glasses as a design object.

Comfort and ergonomics are the guiding line of his work. The gaze always turned towards accuracy, he will correct faults to underline what is beautiful.

The artist takes a tender look at this practice and retains the heart of childhood. It is exploring, adventuring and playing that invites us to look differently.

For nearly a century, Italian designers and brands have fascinated and dominated the world of lifestyle and fashion. It is through this passion for staging the aesthetic codes of a bygone era that I place the imagery of the palazzo at the heart of the renewal of my creative DNA.

The collage duo in translucent acetate, and the boosted tortoiseshell colors are all references to the Italian elegance of past centuries and its insolent “modernity” before its time.